Stuffed is a worse version of better games that appeals to virtually no one and has a less than zero chance of recovering from its disastrous multiplatform launch.
While Songs of Conquest is one of the best strategy games of the last few years, it is not without issue and cannot rightfully be called a "masterpiece" despite coming very close to being one.
In a time when the line between video games and traditional media is blurring more than ever before, The Rogue Prince of Persia feels like a video game in all the best ways.
After failing and flailing about like a decked fish for several years, Ubisoft not only has a successful free-2-play title, but it has created a game which has the potential to become a cornerstone of the FPS genre.
While I can not fault the developer's passion, it is time they stopped trying to make HYPERCHARGE: Unboxed a thing, as much like Gretchen's dream of making "fetch" a thing, it is never going to happen.
Oddsparks: An Automation Adventure is a wonderful game held back by design choices that make it less enjoyable than it should be and the developer's insistence on doing everything their own way.
Vampire Hunters is the most unique action rogue-like since Vampire Survivors, and I cannot wait to see what it and the sub-genre it has created becomes.
A game decades in the making, Stanfield had many people very excited. Yet, it was that same excitement which has resulted in a less-than-stellar critical reception and a general lack of sustained interest in the title by many longtime fans of Bethesda games; that being said, Starfield is not without merit and still could live up to its potential given time and a sustained developer focus on making the galaxy feel more alive and lived in.
Despite being delayed for over half a decade, Skull and Bones has finally set sail, and despite being not all that it could be, its honestly far better than most reviewers give it credit for.